Sound & Expanded Media
Performances
Ground Studies for Pilots (2025)
Ground Studies for Pilots
Sound & Expanded Media Performance
Ground Studies for Pilots is a sound & expanded media performance by Pandelis Diamantides that explores the preparatory phase of pilots “studying the ground” before taking flight. This metaphorical exploration serves as a lens through which Diamantides examines the human condition: the tension between being grounded in physical reality and the anticipation of a leap into the unknown. Through the use of biometric data, including heartbeats and breathing, Ground Studies for Pilots generates a dynamic, ever-shifting audiovisual landscape. This terrain represents the boundary between tangible reality and hyperreality, a place where physical sensation, emotional states, and digital abstraction converge. The performance invites audiences to contemplate the fragility of perception and the evolving relationship between human agency and technological simulation.
Bluets (2025)
Bluets
Sound, Voice & Light w/ Kristia Michael
Bluets is an artwork made of sound, voice and light, unfolding as a slow immersion into silence and colour. Blue is approached not as pigment, but as an emotional and perceptual atmosphere - melancholic, expansive, intimate, unresolved. Drawing on journeys across the Aegean Sea and Mediterranean urban landscapes, Bluets distils lived geographies of movement, memory, and displacement into resonance, duration, and breath. Place is not described but inhabited, carried through vibration, stillness, and return. Central to the piece, the human voice drifts between acoustic presence and electronic transformation. Whispers and fragile melodic fragments dissolve into evolving textures. Sound gathers and recedes like tide against architecture, while gradients of light and digital abstraction unfold as a parallel score. Moving from noise to silence to signal, Bluets offers a fleeting taste of paradise, spoken in binary language. Situated between contemporary classical music, experimental electronic sound, and media art, the work invites deep listening and sustained attention, where sound, colour, and silence slowly dissolve into one another.
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Παλμός (2024)
Παλμός
Sound & Expanded Media Performance - Art Collection
Pulse. Heartbeat. Vibration. Παλμός (palmós) traces how emotion moves through body, crowd, and city, how the invisible rhythms of life create a shared field of resonance. Using biometric data, movement, and light, the work transforms physical rhythm into collective sound. Each pulse becomes an imprint, a signal of presence, a reminder that feeling is both individual and shared. Παλμός listens to the body as landscape, to the heart as instrument, and to connection as frequency, exploring the delicate choreography between inner motion and social vibration.
Drowning (2024)
Drowning
Full-dome 360° Sound & Live Visuals Performance w/ MAOTIK
A descent into sound as liquid matter. Drowning immerses the audience in an oceanic space of frequency and light, a 360° environment of motion, isolation, and ecstatic release. Bass becomes pressure; treble shimmers like refracted light; voices dissolve into turbulence. The dome becomes a vessel, a resonant membrane where perception shifts from hearing to feeling. Sound is water: physical, enveloping, infinite. Drowning is both surrender and transformation, an exploration of what it means to lose orientation and become part of the current.
Quickly Photographed and Released Unharmed
Video Art Performance & Light Installation - Art Collection
A study in overstimulation and the poetics of intensity. Quickly Photographed and Released Unharmed confronts the screen not as a surface of representation, but as a luminous force. Light and sound unfold in rapid, pulsating sequences where afterimages linger and perception becomes unstable. The work questions how we see and what remains after the image disappears, when the act of witnessing becomes physical. Within this field of repetition and flash, perception itself becomes the subject, and the viewer’s sensory threshold becomes part of the composition.
Go Back to Hiding in the Shadows
Sound & Expanded Media Performance - Art Collection
A digital ecology of memory and transformation. Rooted in the landscapes of Cyprus’ Troodos mountains, Go Back to Hiding in the Shadows merges processed voices, field recordings, and visual textures into an immersive sonic terrain. The work listens to the fragile connection between human, animal, and environment, the hidden structures that hold them together. Each sound becomes a trace of origin, each image a fragment of becoming. Between memory and erosion, the piece explores what hides, what returns, and what survives in the passage from presence to absence.
False Awakenings
Audiovisual Performance
A hypnotic weave of evolving ambient structures and visual rhythm. False Awakenings constructs a disorienting yet meditative world where sound, motion, and light drift between clarity and blur. The work examines perception as a temporal construct, how consciousness loops through dream and wake, repetition and renewal. Layers of bass, colour, and luminosity merge into a fragile architecture of sensation, inviting the viewer into a state between recognition and surrender. It is a reflection on illusion, continuity, and the delicate architecture of presence.
Green
Sound & Live Visuals Performance
A precise exploration of frequency, timbre, and perception. Green listens with intention, revealing the invisible architectures of sound, from the tactile depths of infrabass to the fragile brilliance of high harmonics. Each tone unfolds like a beam of light, tracing how the ear perceives form, tension, and resonance. Green is both scientific and sensorial, a study in how sound structures space, and how pure frequencies can shift emotional states. It invites close listening as a form of seeing, perception as an act of care.
Sound & Expanded Media
Performances
Ground Studies for Pilots (2025)
Ground Studies for Pilots
Sound & Expanded Media Performance
Ground Studies for Pilots is a sound & expanded media performance by Pandelis Diamantides that explores the preparatory phase of pilots “studying the ground” before taking flight. This metaphorical exploration serves as a lens through which Diamantides examines the human condition: the tension between being grounded in physical reality and the anticipation of a leap into the unknown. Through the use of biometric data, including heartbeats and breathing, Ground Studies for Pilots generates a dynamic, ever-shifting audiovisual landscape. This terrain represents the boundary between tangible reality and hyperreality, a place where physical sensation, emotional states, and digital abstraction converge. The performance invites audiences to contemplate the fragility of perception and the evolving relationship between human agency and technological simulation.
Bluets (2025)
Bluets
Sound, Voice & Light w/ Kristia Michael
Bluets is an artwork made of sound, voice and light, unfolding as a slow immersion into silence and colour. Blue is approached not as pigment, but as an emotional and perceptual atmosphere - melancholic, expansive, intimate, unresolved. Drawing on journeys across the Aegean Sea and Mediterranean urban landscapes, Bluets distils lived geographies of movement, memory, and displacement into resonance, duration, and breath. Place is not described but inhabited, carried through vibration, stillness, and return. Central to the piece, the human voice drifts between acoustic presence and electronic transformation. Whispers and fragile melodic fragments dissolve into evolving textures. Sound gathers and recedes like tide against architecture, while gradients of light and digital abstraction unfold as a parallel score. Moving from noise to silence to signal, Bluets offers a fleeting taste of paradise, spoken in binary language. Situated between contemporary classical music, experimental electronic sound, and media art, the work invites deep listening and sustained attention, where sound, colour, and silence slowly dissolve into one another.
Read more...
Παλμός (2024)
Παλμός
Sound & Expanded Media Performance - Art Collection
Pulse. Heartbeat. Vibration. Παλμός (palmós) traces how emotion moves through body, crowd, and city, how the invisible rhythms of life create a shared field of resonance. Using biometric data, movement, and light, the work transforms physical rhythm into collective sound. Each pulse becomes an imprint, a signal of presence, a reminder that feeling is both individual and shared. Παλμός listens to the body as landscape, to the heart as instrument, and to connection as frequency, exploring the delicate choreography between inner motion and social vibration.
Drowning (2024)
Drowning
Full-dome 360° Sound & Live Visuals Performance w/ MAOTIK
A descent into sound as liquid matter. Drowning immerses the audience in an oceanic space of frequency and light, a 360° environment of motion, isolation, and ecstatic release. Bass becomes pressure; treble shimmers like refracted light; voices dissolve into turbulence. The dome becomes a vessel, a resonant membrane where perception shifts from hearing to feeling. Sound is water: physical, enveloping, infinite. Drowning is both surrender and transformation, an exploration of what it means to lose orientation and become part of the current.
Quickly Photographed and Released Unharmed
Video Art Performance & Light Installation - Art Collection
A study in overstimulation and the poetics of intensity. Quickly Photographed and Released Unharmed confronts the screen not as a surface of representation, but as a luminous force. Light and sound unfold in rapid, pulsating sequences where afterimages linger and perception becomes unstable. The work questions how we see and what remains after the image disappears, when the act of witnessing becomes physical. Within this field of repetition and flash, perception itself becomes the subject, and the viewer’s sensory threshold becomes part of the composition.
Go Back to Hiding in the Shadows
Sound & Expanded Media Performance - Art Collection
A digital ecology of memory and transformation. Rooted in the landscapes of Cyprus’ Troodos mountains, Go Back to Hiding in the Shadows merges processed voices, field recordings, and visual textures into an immersive sonic terrain. The work listens to the fragile connection between human, animal, and environment, the hidden structures that hold them together. Each sound becomes a trace of origin, each image a fragment of becoming. Between memory and erosion, the piece explores what hides, what returns, and what survives in the passage from presence to absence.
False Awakenings
Audiovisual Performance
A hypnotic weave of evolving ambient structures and visual rhythm. False Awakenings constructs a disorienting yet meditative world where sound, motion, and light drift between clarity and blur. The work examines perception as a temporal construct, how consciousness loops through dream and wake, repetition and renewal. Layers of bass, colour, and luminosity merge into a fragile architecture of sensation, inviting the viewer into a state between recognition and surrender. It is a reflection on illusion, continuity, and the delicate architecture of presence.
Green
Sound & Live Visuals Performance
A precise exploration of frequency, timbre, and perception. Green listens with intention, revealing the invisible architectures of sound, from the tactile depths of infrabass to the fragile brilliance of high harmonics. Each tone unfolds like a beam of light, tracing how the ear perceives form, tension, and resonance. Green is both scientific and sensorial, a study in how sound structures space, and how pure frequencies can shift emotional states. It invites close listening as a form of seeing, perception as an act of care.